Rembrandt The Sacrifice of Abraham painting

Rembrandt The Sacrifice of Abraham paintingJohn Singer Sargent A Morning Walk paintingLord Frederick Leighton Leighton Mother and Child painting
guards were rowdy as ever; I saw no sign of their leader, nor any indication that they meant to thwart the mob. The monogrammed co-eds had left off clubbing me in order to lead the procession; reaching the lamp-post they wheeled about smartly, went down on one knee, and with the aid of their megaphones and practiced gestures, set the crowd to chanting, "Get the Goat! Get the Goat!" As I was lifted to the sidecar-top and prodded with my own stick, I even heard, as in the spring, a voice cry "Rape!" and the familiar consternation at the Mansion-corner. With a bitter sigh and no prompting from my captors I thrust my buckhorn into place and put my head in the noose. Why wait to see My Ladyship rogered yet again, en route to her Belfry-tryst, by a once-more-fallen Peter Greene, and hear the EAT-whistle blow, this time no doubt in earnest? An end to my tiresome history, and the University's! Once more I'd been all wrong, in what wise I was too miserable to care. What the heck anyhow!
Yet I paused a moment before committing suicide, for it was Hedwig Sear instead of Anastasia who shrieked round from the alley. Dressed in a thin infirmary-gown and clutching a rag-doll, she was pursued not by Peter Greene but by Croaker, whose cure had