Sunday, August 24, 2008

John William Godward Dolce far niente painting

John William Godward Dolce far niente paintingJohn William Waterhouse Miranda - The Tempest paintingJohn William Waterhouse Gather ye rosebuds while ye may painting
attendant by standing nose-to-nose with him and making a grotesque face, which the man ignored as if Stoker were invisible. And I observed that when the same attendant reached for a flashing button on the panel, Stoker pretended for mischief's sake to catch at his hand, but never actually touched him, and even made way slightly, though cursing all the while. Then, not to confine his scorn exclusively to West-Campus controllers, he spat over his shoulder toward the Nikolayans: the drops struck the mesh with a puff and sizzled into curls of steam.
"I hate this place," he growled.
We returned to the elevator, pushed the bottom button, and descended a considerable distance farther than we'd come up. Stoker's face brightened as we dropped; the guards too seemed more at ease with every passing level. I myself was somewhat dizzied by the falling sensation -- and by the liquor as well, no doubt -- but it was a feeling more curious than disagreeable, and I chose not to surrender the flask on its account.
A monstrous din rose around us as we stopped, and doubled its volume

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