Sandro Botticelli The Story of Nastagio degli Onesti paintingSandro Botticelli The Cestello Annunciation paintingSandro Botticelli Madonna in Glory with Seraphim painting
wrong. At the end of each passage I paused, tense, afraid to start the next, fearing, like a gambler, that luck must turn and the pile be lost. Bit by bit, minute by minute, the thing came into being. There were no difficulties; the intricate multiplicity of light and colour became a whole; the right colour was where I wanted it, on the palette; each brush stroke, as soon as it was complete, seemed to have been there always.
Presently on the last afternoon I heard a voice behind me say: ‘May I stay here and watch?’
I turned and found Cordelia.
‘Yes,’ I said, ‘if you don’t talk,’ and I worked on, oblivious of her, until the failing sun made me put up my brushes.
‘It must be lovely to be able to do that.’
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